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Mr. Wells the clergyman was of English birth, very conservative and inclined to be shy. He was unusually tall with broad shoulders. Mrs. Wopp once said of him, “When Mr. Wells gits his gownd on, he’s the hull lan’scape.” The deeply pious lady seldom criticized things ecclesiastical; but she had “feelin’s that ef Ebenezer Wopp bed of took to larnin’ like his Mar wished, he’d of looked amazin’ well in that pulpit, better nor Mr. Wells.”,

Moses eyed his pet with solicitude. “Pore little beggar, he’s clean tuckered out,” he said. “He’ll need a good supper.” According to Moses’ idea, an excellent meal was the panacea for all earthly troubles.,

“Moses Habakuk Ezra Wopp an’ Ebenezer Wopp! You’d orter be shamed of yerselves. You shorely must of fell with Lucifer when he come tumblin’ outer the sky. Them swear words make every single hair on my head stan’ on edge.”,

CHAPTER XVIII.—A PAIR OF CHECKED TROUSERS.

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Fate led the trio to the theatre where Mr. Zalhambra was playing. Howard took his friends to a box and no sooner were they seated than he espied Nell and Betty.,

May Nell had been “through the measles,” yet she shared the quarantine. Billy resented this at first. It was “no fair.” Afterward he was grateful; for aside from the cheer of her presence she did him a fine service. It was her clever brain that proposed to read his lessons aloud to him; and though he didn’t think much of it at first, he soon saw that this would make a chance for the prize which in his heart he had resigned.,

Moses capitalized his bulk to effectively fill the large chair into which he sank. He surveyed with approval the new trousers presented to him by Miss Gordon, and tried to blot from his mind the ignominy that had attended the wearing of the ill-fitting pair. Those discarded checked monstrosities languished under Moses’ bed in close consultation with a pair of decrepit and muddy shoes. It was so sweet to the boy to see signs of convalescence in Betty that he took great comfort in just gazing on her pale face with its wisps of fair hair across the forehead. He summed up his general attitude to life by whispering to himself, “I don’t give a doughnut fer orl the check pants in Alberta.”,

Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers.